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Selasa, 20 September 2011

Free Download The Lazarus Files: A Cold Case Investigation, by Matthew McGough

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"The Lazarus Files is crime writing at its finest. Matthew McGough’s deep dive into one of the most controversial cases in Los Angeles history is expertly researched and recreated in exacting and haunting detail. I was riveted." ―Michael Connelly“The Lazarus Files chronicles one of the most fascinating homicide cases in the history of the LAPD. Matt McGough does a herculean job of research and reporting in order to track down the many serpentine threads in this coldest of cold cases. This is a thrilling story of justice long delayed―but justice finally served. McGough has written an impressive book." ―Miles Corwin, author of the national bestseller The Killing Season and Los Angeles Times bestseller Homicide Special

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About the Author

Matthew McGough has written for The Atlantic, The New York Times, The Los Angeles Times, and more. His acclaimed memoir Bat Boy: Coming of Age with the New York Yankees was the basis of “Clubhouse,” a primetime TV series on CBS, and his story about his first day with the Yankees was selected to lead the pilot episode of The Moth Radio Hour. Formerly a legal consultant and writer for NBC’s Law & Order, he lives in LA with his wife and children.

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Product details

Hardcover: 608 pages

Publisher: Henry Holt and Co. (April 30, 2019)

Language: English

ISBN-10: 0805095594

ISBN-13: 978-0805095593

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PDF Download , by Mark Riebling

PDF Download , by Mark Riebling

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, by Mark Riebling

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File Size: 1622 KB

Print Length: 383 pages

Publisher: Basic Books; 1 edition (September 29, 2015)

Publication Date: September 29, 2015

Sold by: Hachette Book Group

Language: English

ASIN: B012271SWM

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I was both surprised and enthralled by this book from the beginning. Whilst I expected the author to have a compelling argument and evidence to support his ideas, he also managed to craft a book that was interesting and kept my attention throughout.As someone who loves history, it is hard for me to pass up a title that promises to look at something from a new angle. Mark Riebling offered that, and did an excellent job of supporting his claims. I have to say, after reading this, I agree with his assessment of the situation.There was a lot I didn't know about the Pope's standpoint on the Nazi movement and the involvement of the Catholic Church, and I walked away feeling better informed after having read this.If you are a history buff, I definitely recommend that you pick this book up. You will be rewarded with the writing of an author who knows his stuff and meets a high standard of literary integrity.This review is based on a complimentary copy from the publisher, provided through Netgalley. All opinions are my own.

As someone interested in what really happened behind the scenes in World War 2, I found this book riveting and hard to put down. Using records from Germany’s Institute für Zeitgeschichte and from the Vatican Secret Archives, Church of Spies casts light on WWII covert operations and spycraft that remained in the shadows for 75 years. Perhaps most-earth shattering and historically game-changing is the proof that a modern Pope, running a vast intelligence network inside Germany, green-lighted Hitler’s assassination, something neither FDR or Churchill, so far as we know, risked their reputations to do."Church of Spies" will inspire many Catholics. It brings to life the heroic priests and ordinary faithful who did not sit on their hands, and who shed their own blood in the Pope’s high-stakes espionage to stop the Third Reich.This book will also interest students of the Holocaust. It provides new context for evaluating Pope Pius XII, who opted for quiet clandestine operations instead of loud public speeches. Although not uncritical of Pius – Riebling writes that "he should have spoken out" – the book shows the German resistance itself begged the Pope not to do or say anything publicly that would cause retribution against Catholics in Germany who were concurrently planning assassinations and coups against the Third Reich.Written with the attention to detail that one finds in Rick Atkinson's Pulitzer Prize winning World War II books, Church of Spies reads like a thriller. But the nearly 100 pages of source citations remind us that what happened here is true. And savoring that truth makes reading “Church of Spies” all the more compelling.

In 1939, the Reich began destroying the Catholic Church. "The Nazis had thwarted the Church's teachings, banned its organizations, censored its press, shuttered its seminaries, seized its properties, fired its teachers, and closed its schools." Hitler said, "The priest, as political enemy of the Germans, we shall destroy." On September 1, 1939, Germany invaded Poland. They would eventually murder 2.4 Polish Catholics. On October 20, 1939, Pope Pius XII publicly condemned Germany's attack on Jews. Then he fell silent, not using the word "Jew" again until 1945? Why?A secret group was planning to overthrow Hitler, and they asked the Pope not to make any more public protests. According to a document among President Franklin Roosevelt's papers, the coup planners urged Pius to "refrain from making any public statement singling out the Nazis" to prevent drawing attention to those plotting to overthrow Hitler.The Chief of German military intelligence (Abwehr), Admiral Wilhelm Canaris, hated Hitler for his slaughtering thousands of Polish Catholic priests. Though Hitler awarded himself the title Greatest Warlord of all time, Canaris considered him "the greatest criminal of all time." Canaris decided to conspire with the pope against Hitler. But he couldn't meet directly with the pope without raising suspicion, so he used intermediaries. Munich Cardinal Michael Faulhaber asked Monsignor Johannes Neuhausler to recruit Josef Muller, a Bavarian lawyer nicknamed Joey Ox. His "cover" was to save the Leo Haus, an insolvent holding company for Catholic media. But Muller would actually be collecting information on Nazi anti-Catholic activities. Then he would fly his little sports plane from Germany into Italy and give documents to someone in Merano who would then give them to the Pope.Muller befriended Hans Rattenhuber who commanded Hitler's bodyguard and who saw most Nazi bosses as corrupt sycophants. Admiral Canaris' office was not only the headquarters of German military intelligence, but also the headquarters of the German military opposition to Hitler. Colonel Hans Oster worked there. He wanted to remove Hitler because he persecuted the Christian churches and wanted to exterminate the Jews. He said, "A criminal like Hitler can only be removed by force." Oster kept documents about the German resistance to Hitler in a safe at Zossen. Pius, through Muller, urged Oster to destroy any papers implicating the Church in their plans. But Oster wanted to preserve proof for posterity that a Decent Germany had existed.In March 1940, the Pope established an intricate communication chain. Oster submitted yes-or-no questions to Muller, who passed them to Pius, who shared them with British ambassador D'Arcy Osborne, who cabled them to London. The British answers flowed back in reverse. The Vatican remained as the crossroads in the plot to kill Hitler. The German contact was made by Muller meeting on the roof of the Jesuit College or in obscure Roman churches with Father Robert Leiber. Leiber was the Pope's most trusted aide. He spoke to Pius twice daily and read everything that crossed his desk. He was described as "an agent for German questions" although he was never officially a member of the Vatican. He was an unofficial official, enabling him to deny involvement in whatever he did. The British contact was made by Ambassador Osborne, whose Vatican apartment was next to Monsignor Ludwig Kass. Kass was the former chairman of the now banned German Catholic Center Party. He advised Pius on German affairs while living in quiet exile as keeper of the Vatican crypt, where excavations were underway to uncover the Apostle Peter's bones. After the fall of France, when the danger of surveillance increased, Kass would meet with Muller in the depths of the vault, directly beneath the high altar of the basilica, where someone had written, Petr[os] en[i], "Peter is here within."In March 1940 Britain sent seven conditions for negotiating peace talks with "the Decent Germany", those plotting to overthrow Hitler: 1) removal of Hitler, 2) "rule of law" in Germany, 3) no war in the West, 4) Austria stays German, 5) Poland is liberated, 6) other territories self-determination by plebiscite, and 7) an armistice through the Pope.On May 10, 1940, Hitler invaded Holland and Belgium, and then France. After five days, France considered itself beaten. The Allies began a five-week retreat that would climax with the British evacuation at Dunkirk, and end with the swastika flying from the Eiffel Tower. Pius condemned the invasion's "cruelties" as "against all justice." He wanted to use stronger language, "words of fire against such actions but was restrained by his fear of making the plight of the victims worse." Even so, when he ventured out into Rome to say Mass, fascists rocked the papal limousine and yelled, "Death to the pope!"In June 1940, Italy entered the war on the German side. The Swiss guards began carrying submachine guns. Vatican engineers built air-raid shelters and a steel-armored room to protect rare books and manuscripts. The designated regent of the Decent Germany's post-Hitler regime would be retired General Ludwig Beck. He wanted to make the German resistance to Hitler more ecumenical, since it was composed primarily of Catholics. So in summer 1940, the resistance recruited Protestant theologian Dietrich Bonhoeffer. Colonel Hans Oster's deputy, Hans von Dohnanyi, was married to Bonhoeffer's sister, Christel. Muller became Bonhoeffer's handler. He sent Bonhoeffer to the Benedictine monastery at Ettal in the Alps. Here Bonhoeffer wrote his "Ethics" in which he adopted the Catholic view on tyrannicide.Over the centuries, Catholic theologians such as Aquinas developed a doctrine of tyrannicide, where a tyrant, who either used power unjustly or seized it illegally, could be removed or assassinated. But Protestant Lutherans had objected to assassination because of the writings of St Paul who said in Romans 13, "all authority comes from God", so Hitler could not be eliminated.On January 20, 1942, SS spy chief Reinhold Heydrich chaired a meeting in the Berlin suburb of Wannsee, to plan the liquidation of European Jewry. Five weeks later, Father Piero Scavizzi reported that the Germans had begun exterminating whole populations. As a military chaplain of the Maltese Order, Scavizzi had accompanied an Italian military hospital train through occupied Poland and Russia, where conscience-stricken officers told him of the deportations into concentration camp from which few returned alive. In those camps thousands and thousands are exterminating without any judicial process. Near Auschwitz, the chaplain's informants said they could smell crematoria smoke in nauseating whiffs. When Scavizzi reported this to the pope on May 12th, Pius broke down, raised his hands to heaven, and wept like a child.When Holland's bishops issued a public condemnation, the Nazis responded by deporting 40,000 Dutch Jews. In his annual Christmas message (1942), Pius denounced the genocide, not using the words "Nazis" or "Jew", but referring to, "the many hundreds of thousands of innocents put to death, or doomed to extinction, sometimes merely because of their ethnicity." Pius wanted to use stronger language, but Father Leiber reminded him that if the Nazis responded to the Holland bishops' letter by deporting 40,000, many more lives could be lost.On Feb 18, 1943, the SS arrested two college students in Munich. Hans Scholls and his sister Sophie led a resistance cell known as the White Rose. Working at night in the woodshed behind their apartment, the Scholls printed leaflets -- "white roses" -- denouncing Hitler. They road trains to other cities, carrying the leaflets in suitcases, and mailed them in post boxes, or scattered them on streets and in railroad stations. Once, the police opened Sophie's luggage, but they did not find the leaflets hidden in her underwear. The Scholls became careless, however. In exuberant defiance, Sophie scattered handbills over the University of Munich quadrangle from a balcony. As the leaflets floated down, a janitor saw the Scholls flee. To compel Hans to betray those who supported them, the Gestapo interrogated Sophie in front of him. An SS man shoved a leaflet into his face and demanded to know who wrote it. Hans confessed that he wrote it and begged them to leave his sister alone. Four days later, in front of People's Court Judge Roland Freisler, Sophie testified that they had only written what many believed but dared not say. Freisler knew as well as they did that Germany could not win the war, she said. Why didn't he have the courage to admit it? Freisler erupted, declaring that the SS must have treated her too leniently. They should have broken every bone in her body. But he would not fail to dispense justice. Sophie declared that God's justice transcended the state's; Freisler responded by reading out the state's sentence: death. The Scholl's mother screamed and collapsed in the gallery. That day the Gestapo beheaded her children. They died without revealing their links to the Catholic resistance.June 4, 1943 was the Allied liberation of Rome. "I found myself having to hold tight to my emotions," the conquering general, Mark Clark, wrote later of his entry into Rome. "The Piazza di Venezia was jammed with a monstrous crowd, and our jeep proceeded at a snail's pace, while flowers rained upon our heads, men grabbed and kissed our hands ... I felt wonderfully good, generous, and important. I was a representative of strength, decency, and success." During the German occupation, the SS had arrested 1,007 Roman Jews and went them to Auschwitz. Fifteen survived. Over the same period, 477 Jews had hidden in Vatican City, and 4,238 received sanctuary in Roman monasteries and convents.Home Army chief of staff Colonel Claus von Stauffenberg "was sure at last in his own mind that in the assassination of Hitler he would be removing a creature actually possessed, body and soul, by the devil." On July 20, 1943, he packed his briefcase with two 975-gram lumps of plastic explosive. At a meeting of the High Command in Rastenburg, Stauffenberg positioned himself at Hitler's right. At 12:30 pm, He set down his briefcase and shoved it under the table with his leg. Then he excused himself to make a last minute phone call. When he was about 50 yards away from the barracks, there was an explosion of bluish-yellow flames from the building. Bodies went hurtling out the windows. Shards of glass, wood, and fiberboard rained down.Although his trousers were shredded and his hair singed, Hitler had sustained no traumatic injuries and lost no blood. Afterwards, Hitler told his doctor, "I am immortal! If I hadn't moved the briefing, from the concrete bunker to the wooden barracks, I'd be dead. You see, the wood frame let the explosion escape." At thirteen minutes past midnight, Stauffenberg was shot by firing squad.On Sept 22, 1943, the SS searched an Abwehr annex at Zossen. They drilled a hole into a safe and found evidence of the Vatican's role in the plots. The trove included a note on papal stationery, describing British conditions for an armistice with Germany -- listing the sine qua non as "elimination of Hitler." The Zossen papers also showed that Hitler's prospective killers had maintained connections with the Pope since the first months of the war.After Josef Muller was arrested, SS Investigator Franz Sonderegger placed Father Leiber's handwritten note about the "elimination of Hitler" on a table and told Muller he would return in three minutes. Muller tore the note into pieces and swallowed them down.On January 6, 1945, Jesuit Father Alfred Delp reflected, "Of course it will be shown eventually that the Pope did his duty and more, that he offered peace, that he explored all possibilities to bring about peace negotiations, that he proclaimed the spiritual conditions on which a just peace could be based, that he dispensed alms, and was tireless in his work on behalf of prisoners of war, displaced persons, tracing missing relatives, and so on." However, Delp continued, we overrated the Church's political influence. "It makes absolutely no difference so far as the beneficial influence of the church is concerned whether a state maintains diplomatic relations with the Church or not. The only thing that really matters is the inherent power of the Church as a religious force in the countries concerned. This is where the mistake started; religion died from various diseases, and humanity died with it."On Feb 20th, 1945, Father Alfred Delp was interrogated for conspiring to kill Adolph Hitler on July 20, 1944. The SS especially wanted to know had he conspired with the Pope. His fingers were placed in a clamp lined with spikes. When a screw was turned, spikes were driven into Delp's fingertips. When that produced no answers, he was beaten with an oak club larded with nail heads. With each blow, he fell forward on his face but refused to speak. Delp's legs were then enclosed in tubes lined with steel needles. These were slowly drawn tighter until the spikes gradually pierced his flesh. To muffle the screams, the priest's head was pushed into a metal hood and covered with a blanket. When the screams penetrated even the hood, a phonograph record of children's songs was played and the volume turned up as high as it would go. Five hours later, after Father Delp had still not implicated the Pope, a wire loop was placed around his neck and he was hung from a meat hook. The wire noose did not break his neck but merely sliced into his windpipe. He was left twitching and twisting for 25 minutes.On April 4, 1945, as Hitler made his last stand, five black, cloth-covered binders were found in a safe. Each held between 80 to 200 pages, handwritten and dated. They chronicled Nazi crimes and the attempts to stop them, prepared by Hans Dohnanyi and other Abwehr officers. They were officially titled as the "diaries" of Admiral Canaris. They were found by infantry general Walter Buhle, who had been standing near Hitler on July 20, 1944, and had been injured when Stauffenberg's bomb exploded. The diaries implicated Canaris and six of his colleagues. Buhle gave the diaries to the SS, who used them to hang Oster, Canaris, and Bonhoeffer at Flossenburg concentration camp.After the war, Dr. Josef Muller had a private audience with Pope Pius XII, who felt as if his own son had returned from terrible danger. Muller then worked as a US intelligence agent, as well as a Bavarian lawyer prosecuting Nazi war criminals who had not been sentenced at Nuremberg. When asked why the Pope had not spoken out publicly against Nazi Germany, Muller said that his anti-Nazi organization has always been very insistent that the Pope should refrain from making any public statement condemning the Nazis.Had the Pope done so, this would have jeopardized the German Catholics working against Hitler. Also, Hitler would have responded to public denunciations with even more brutality, as he always did.

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PDF Ebook Whitewalling: Art, Race & Protest in 3 Acts

PDF Ebook Whitewalling: Art, Race & Protest in 3 Acts

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Whitewalling: Art, Race & Protest in 3 Acts


Whitewalling: Art, Race & Protest in 3 Acts


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Author Aruna D’Souza offers an uncensored look at the role black artists, activists, and their allies have played in forging more equitable practices within the field of contemporary art. (Nico Wheadon The Brooklyn Rail)Whitewalling sets a generative precedent. (Harry Burke ArtReview Asia)Whitewalling is a laser beam of a book, unwavering and on target. (Jennifer Szalai New York Times)If resistance can be welcomed at all, [D'Souza] is clearly striving to do so. (Tiana Reid Garage)An impressively nuanced exploration of the relationship between art and race in America. (Publishers Weekly)Amazing (Steven Nelson Director, UCLA African Studies Center, Professor of African and African American Art History)Remarkable for its clarity, lightness of touch, fearlessness, and righteous research. (Laura Raicovich Former Executive Director of Queens Museum)this book could become an essential primer in discussions about exclusion, free speech, and the power of institutions in the art world and outside it. (Publisher's Weekly)

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Paperback: 160 pages

Publisher: Badlands Unlimited (May 22, 2018)

Language: English

ISBN-10: 1943263140

ISBN-13: 978-1943263141

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Average Customer Review:

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This is a scholarly collection of three essays dealing with modern controversies over museum installations, the controversy coming over how racist the installations themselves were or certain works within the installation. The book was readable and short. What I liked most about the book was how it is academic but user-friendly in terms of vocabulary and being free of bull****. She also did a great job of clearly and calmly identifying the racism, but also gave the white people the place to speak or try to explain what they had been doing; in that sense it is very non-bougie [which is a good thing]. A boogie white person would have just "both sides" this crap and treated it like there was equivalency somehow. There isn't. However it's nice because she doesnt't get fake outraged or peformative [that's what I mean by scholarly] she just calmly let's people's words speak for themselves. An extremely useful introduction to the topic.

A smart, readable series of three interconnected narratives, drawing connections between very recent developments in the American art world and precedents in the 1960s and 1970s. The author has constructed the text almost entirely on the basis of primary sources—interviews, letters, art reviews, and facebook posts, and tells a morally complex and important story with an unusual combination of rigor and directness.

This book contains essays about the relationship between art objects, artists, the public, the museum/art-business world, and the political background of all of these things. They are not essays about art itself. For example, the first essay is about a recent controversy over a painting in the 2017 Whitney Biennial. If a viewer at the Biennial viewed “Emmett Till” without reading the wall text, without knowing the title, without knowing the artist’s name or race, that viewer would see a fairly unremarkable work of modern representational art. All of the weight of the subsequent analyses, including the one in this book, comes from the context, including the race of the artist. The second and third essays in the book are also about context, including the context of the exhibitions themselves, and about the language used to describe art as well.The essays are thoughtful and thought provoking. Essays about art and its context can be art themselves. These are. Read them. They will make you think. And as you think about these essays think about the many, many words that have been written about Duchamp’s “Fountain”. The “Fountain” itself was just an upside down urinal. All of its fame came from its context. The work was rejected by the 1917 Society of Independent Artists exhibition with the statement, “The Fountain may be a very useful object in its place, but its place is not in an art exhibition and it is, by no definition, a work of art.” However, it changed the scope of the world of art. These essays make me think of the furor over “Fountain”, which justifiably became important than the work itself.To use language from a different discipline, these essays are about metadata; Perhaps that makes them meta-metadata. They are valuable, but they should not make us forget the underlying raw data, which are the works of art themselves.

Interesting read

Excellent book for discussion of history of black art and white led institutions.

Blazing good book and fun to read.

One of the best books I've read this year, this is an excellent and timely book on recent (and not-so-recent) controversies around racism, protests, and art institutions. If you followed the 2014 OR 2017 Whitney Biennial controversies around race, but you weren't sure how to interpret them or historically contextualize them, this is the book for you. If you are interested in current protest movements like Black Lives Matter or past ones, like the Black Emergency Cultural Coalition (BECC), or if you want to learn more about histories of African American art that also address the understudied aspect of exhibition histories of black artists, this is the book for you. If you want to be a better "white ally" to the protest movements of people of color, or if you are interested in becoming more involved in helping to facilitate greater diversity and equality in the visual arts realm, this book is for you. Working backwards from the past to the present through three exhibition case studies at three NYC arts institutions -- the Met, Artists' Space, and the Whitney -- this book unravels the interconnected and persistent histories of systemic racism in our nation's art institutions and art communities and offers compelling suggestions for a way forward.

Just finished reading Aruna D'Souza's WHITEWALLING, which examines the controversy surrounding the inclusion of Dana Schutz's painting "Open Casket" in the 2017 Whitney Biennial, placing the protests occasioned by this work in the context of earlier episodes of crisis around race and power in the NYC art world in 1979 and 1969 - specifically as pertains to the exclusion of Black artists and curators from the power centers of the art world. Lucid, balanced, and persuasively written. I highly recommend it to anyone who'd like some help getting an overview and clearer understanding of the issues involved. Really smart, clear, nuanced writing, and a great read! Substantial, but you'll still be able to follow if you read it on the beach :-)

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Sabtu, 10 September 2011

Ebook Jews and the Ends of Theory

Ebook Jews and the Ends of Theory

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Jews and the Ends of Theory

Jews and the Ends of Theory


Jews and the Ends of Theory


Ebook Jews and the Ends of Theory

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Jews and the Ends of Theory

Review

“A glittering collection of essays that asks how the critical gist of the Frankfurt School tradition as well as the work of other Jewish intellectuals such as Scholem, Derrida, Buber, and Auerbach is inflected by ‘the Jew.’ Beyond pointing to the biographies of many who have taken up critical theory, the volume shows how images and assumptions about the Jew and Jewishness, Ashkenazi vs. Sephardic Jewry, Israeli vs. diasporic Jewry, hover in the background of a range of texts and thinkers. A powerful collection that opens new vistas in our approach to social, cultural, and literary critical theories.” (Seyla Benhabib, Yale University)

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“A glittering collection of essays that asks how the critical gist of the Frankfurt School tradition as well as the work of other Jewish intellectuals such as Scholem, Derrida, Buber, and Auerbach is inflected by ‘the Jew.’ Beyond pointing to the biographies of many who have taken up critical theory, the volume shows how images and assumptions about the Jew and Jewishness, Ashkenazi vs. Sephardic Jewry, Israeli vs. diasporic Jewry, hover in the background of a range of texts and thinkers. A powerful collection that opens new vistas in our approach to social, cultural, and literary critical theories.”―Seyla Benhabib, Yale UniversityTheory, as it’s happened across the humanities, has often been coded as “Jewish.” This collection of essays seeks to move past explanations for this understanding that are self-evident (the historical centrality of Jews to the Frankfurt School) or stereotypical (psychoanalysis as the “Jewish Science”) in order to show how certain problematics of modern Jewishness enrich theory.In the range of violence and agency that attend the appellation “Jew,” depending on how, where, and by whom it’s uttered, we can see that Jewishness is a rhetorical as much as a sociological fact, and that its rhetorical and sociological aspects, while linked, are not identical. Attention to this disjuncture helps to elucidate the questions of power, subjectivity, identity, figuration, language, and relation that modern theory has grappled with. These questions in turn implicate geopolitical issues such as the relation of a people to a state and the violence done in the name of simplistic identitarian ideologies.Clarifying a situation where “the Jew” is not readily or unproblematically legible, the editors propose what they call “spectral reading,” a way to understand Jewishness as a fluid and rhetorical presence. While not divorced from sociological facts, this spectral reading works in concert with contemporary theory to mediate pessimistic and utopian impulses, experiences, and realities.Shai Ginsburg is Associate Professor of Asian and Middle Eastern Studies and Jewish Studies at Duke University. Martin Land is Senior Lecturer in the Department of Computer Science at Hadassah College and the Open University of Israel. Jonathan Boyarin is Diann G. and Thomas A. Mann Professor of Modern Jewish Studies at Cornell University.

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Product details

Paperback: 336 pages

Publisher: Fordham University Press; 1 edition (December 4, 2018)

Language: English

ISBN-10: 082328199X

ISBN-13: 978-0823281992

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,331,059 in Books (See Top 100 in Books)

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Sabtu, 03 September 2011

Ebook How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle

Ebook How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle

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How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle

How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle


How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle


Ebook How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle

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How to Draw Monsters: Learn How to Draw 50 Monsters The Easy Way, by Mark Mulle

Product details

Grade Level: 1 - 2

Paperback: 156 pages

Publisher: CreateSpace Independent Publishing Platform (March 1, 2017)

Language: English

ISBN-10: 1542791170

ISBN-13: 978-1542791175

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#474,834 in Books (See Top 100 in Books)

Easy to draw but advanced enough to teach 6 yr old two draw

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